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Produced entirely by Kelis and David Andrew Sitek, it was praised for its cohesive sound and introspective lyrical content.
Her musical output, both as a lead and featured artist, encompasses various genres—she has collaborated with R&B and hip hop acts including Busta Rhymes and Clipse, electronic and dance producers such as Calvin Harris, Timo Maas and Richard X, pop and rock acts Enrique Iglesias and No Doubt and indie and alternative musicians including Björk and Dave Sitek.
I’m enjoying life and looking at each day like, “This is beautiful.” I’m having a good time. You come around looking like you’re going to mess this good time up, you’re out of here—fast. He’ll take his mother’s words, he’ll take my words, and then there’s the truth.
It ended around the time the record was being done. She’s not after the money, she just wants you to hurt the way she was hurt. No disrespect to women when I say bad b****, but my definition of a bad b**** is not always the video vixens.Kelis and the Neptunes' output at this time was heralded as foreshadowing an innovation in contemporary R&B, but she later said, "I was never an R&B artist. and earned Kelis a Grammy Award nomination in 2004 for Best Urban/Alternative Performance.