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Many folks never see Hatoful Boyfriend subtly transform into its final revelatory route that blows everyone's minds.
It isn't a good game because it’s hilarious to date pigeons, it's a good game because of what it does to you after you become attached to all the pigeons and then play again one last time in order to "fulfill the promise." The epilogue is the real story.
It’s a troubling view of human relations in general but it’s one that simple gameplay mechanics can handle.
Both approaches have merits, but I enjoy digging into a dating sim and seeking out all the various endings and full gallery completion.
He pointed out the lack of gravity a character's death has in these kind of games, stemming from seeing the main character and surrounding characters die so many times and how to work with it.
"So basically, rather than the desire of 'I don't want the character to die, so I'll try to avoid it,' we put emphasis on the desire 'I don't want this story to die as is, so I'll try to avoid it,'" he explained.
This isn't Persona 4, you can't get away with dating them all at once.
Japanese dating sim players often refer to the romanceable characters in the games as "capturable." Whether you want to interpret that as literal or prefer to see yourself as "captivating" the various characters’ attentions is up to you, and sometimes up to the particular game’s themes.You won't be selecting every dialogue choice during your character's involvement with the game’s world, but you will be occasionally prompted to guide your hero or heroine along different paths, and depending on your prior actions these could result in good or ill.