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When slaughterhouse workers Endre and Mária discover they share the same dreams - where they meet in a forest as deer and fall in love - they decide to make their dreams come true but it's difficult in real life.
Gradually succumbing to dementia, George Laurent, the octogenarian patriarch of the Laurents, an affluent upper-bourgeois family, is uncomfortably sharing his palatial manor in Calais, the ...
He says that her playing lacks emotion, encourages her to let go of her self-consciousness, and to play the piece with real feeling.
She follows his instructions, and the two become friends, talking to one another from either side of the wall.
Eventually, their mutual wind-up ends when the woman amplifies a metronome, and the man cannot bear it any more.
When she is practising Chopin's Revolutionary Etude, the man finally speaks to her.
He explains that the wall separating their apartments is hollow and that any noise made in either place can be heard.
Not wanting to be disturbed, he moves the picture to scare new tenants away from the flat, thus leaving him in peace.
Fearing a supernatural presence, she flees to Evguenie's house.
She explains to Machin that Evguenie can be unkind and asks him not to intervene.
However, Machin, angered by the way that Evguenie bullies and belittles Machine, ejects Evguenie from the house.
The woman refuses to be driven away by his behaviour.
The two live side-by-side, irritating one another with increasingly inventive noisy behaviour.See full summary » Having recently lost her sight, Ingrid retreats to the safety of her home - a place where she can feel in control, alone with her husband and her thoughts.